Directed By Katie Logan
“See better, Lear, and let me still remain the true blank of thine eye.”

King Lear actors Natasha Solomon and Kelley Van Dilla

Video of the cast singing the opening song from our production of King Lear
CASTKent: Caroline Brent
Beggar/Ensemble: Joan Cummins
Albany/Servant 2: Mark Guthrie
Goneril: Lee Havlicek
Gloucester: Matthew Minnicino
Oswald/Burgundy: Amalia Oswald
Edmund/Soldier: Julia Sears
Regan/Knight 1: Samantha Sheahan
King Lear: Natasha Solomon
Cordelia/Knight 4/Servant 1/Old Man: Rebecca Speas
Cornwall/Knight 2/Doctor: Mark Tucker
Edgar: Kelley Van Dilla
Fool/France/Herald/Captain: Nico Zevallos
CREW
Assistant Director: Quill Nebeker-Monch
Stage Manager: Allison Miller
Assistant Stage Manager: Olivia Meyers
Assistant Stage Manager: Maria Raffaele
Costume Designer: MaryLynne Smith
Set Designer: Andrew Derbyshire
Lighting Designer: Michael Gibbs
Dramaturg: Joan Cummins
Fight Choreographer: Julia Sears
House Manager: Mollie Welborn
Production Assistant: Micheal Van Ness
Directed By Elizabeth Nearing

Measure for Measure actors Mark Tucker and Julia Sears
Measure for Measure is not one person’s story, but rather the story of everybody in the community of Vienna. Despite the apparent conflict between those who represent the law and their unruly subjects, the story cannot be so simplified. Each character remains intensely personally involved, abortively attempting to solve their problems by skipping straight to the solution. Thus, rather than being a grand story of one tragically flawed human being, Measure for Measure is instead a powerful story about many slightly flawed human beings, something closer to how our faults, unfulfilled desires, and blundering actions create problems in daily life.
When I read the play for the first time I fell in love with the tragedy of it. In the process of putting the show on, I have fallen in love with the comedy as well. It is easy to get caught up in the moral dilemmas of the Duke, Angelo, Isabella and Claudio. However, on stage it is impossible to ignore the influence of the bawds and the clowns. The two worlds are intricately interwoven and just as we see tragedy in the deconstruction of the clowns’ world we must also see comedy in the stilted awkwardness of those in power. The weight of what is at stake in the intimate scenes of the upper class makes the discovery of humor in the same scenes uncomfortable.
How can we laugh at the way a woman is asked to give up her virginity or let her brother die when we understand the enormity of the choice? Or when we watch the frivolity with which people treat life and death when we know the consequences? Today there are tyrants worldwide who have the power to use such frivolity to kill or forgive at will. Part of the power behind Measure for Measure is in its ability to remind us that however easy it is to distance ourselves from devastation that happens to others, we must still be aware of how closely any one act affects a great number of people.
Each of us has to deal with our own set of faults. Are we ever really strong enough to keep them from shaking our frames? However much we may cringe at the tragedy in our world, it is vitally important that we are also able to laugh.
- Elizabeth Nearing, Director, and Joan Cummins, Assistant Director
Lucio: Mark Guthrie
Claudio/Elbow: Matthew Minnicino
Isabella: Julia Sears
Assistant Director: Joan Cummins
Stage Manager: Allison Miller
Assistant Stage Manager: Olivia Myers
Assistant Stage Manager: Maria Raffaele
Costume Designer: MaryLynne Smith
Set Designer: Andrew Derbyshire
Lighting Designer: Michael Gibbs
Dramaturg: Quill Nebeker-Monch
House Manager: Mollie Welborn
Program Design: Frances Koogler
Program Cover Art: Kelley Van Dilla
Production Assistant: Micheal Van Ness